The office

The fictional office is organized around a reception area, shared rooms, and workstations; its dimensions come from a spatial specification, not an image.

Floor plan of the fictional office, derived from the JSON measurements and SVG.

A space designed for continuity

The office has 25 people and 250 m². Its layout is a fictional proposal that provides continuity across scenes.

Conceptual isometric reference for the office; dimensions come from the vector plan. — office page

Recurring locations

The reception area shows who arrives; the shared workspace brings together several desk clusters; Diego's office opens up management conversations. Each episode chooses a specific zone for each scene instead of cramming every space into a single shot.

Reception
10.5 m²
Kitchen and dining area
17.5 m²
Meeting Room A
14.0 m²
Diego's office
20 m²
Shared workspace
130 m²

The office: one look says it all

The laptop, whiteboard, and small portrait of Einstein make Diego's office easy to recognize. The portrait can use a glance to underline what the boss still hasn't understood.

What viewers recognize
Blue shirt, white desk, laptop, and yellow frame.
What it can tell us
The difference between Diego's leadership intentions and what he ends up doing.

The laptop, whiteboard, and small portrait of Einstein make Diego’s office recognizable. The portrait can use a knowing look to underline what the boss still does not understand. — Proposed framing of the existing office; the portrait remains propped in its frame.

Nico's desk: O.R.B.I. takes note

The headphones and two original figures identify Nico's desk. O.R.B.I., his owl robot, silently observes the contradictions of those who pass by the workstation.

An object with its own identity
O.R.B.I. is an original design created for the series, with an orange companion figure and a recognizable color palette.
A brief visual cue
Its eyebrow can show skepticism at a story-selected moment.

The headphones and two original figures identify Nico’s desk. O.R.B.I., his owl robot, silently observes contradictions in those who pass by. — Proposed framing with O.R.B.I. in a neutral state; it retains its toy material and fixed base.

Reception: Lucía, Dionisia, and an unexpected visitor

Lucía welcomes visitors with her planner, desk bell, and business-card holder at hand. Dionisia, a friendly carnivorous plant in a coral pot, can watch a card and use a gesture to hint at what's about to happen.

The entry point
The reception area connects arrivals to the hallway and the rest of the office.
Humor from everyday objects
A planner, a card, and a desk bell can tell the story of a mistake without spelling it all out.
Dionisia has an opinion
A curious look or two slightly open traps can accompany a welcome that doesn't go as expected.

Lucía welcomes visitors among her planner, desk bell, and business-card holder. Dionisia, a friendly carnivorous plant in a coral pot, can watch a card and gesture to emphasize what is about to happen. — Proposed reception with Dionisia; preserves the orchid, Lucía’s objects, and the passage into the office.

The coffee area: where a break brings another story

The coffee area brings together people who rarely meet in a conference room. A break, a mug, and the noticeboard are enough for alliances, misunderstandings, or an unexpected task to emerge.

The coffee area brings together people who rarely meet in the same meeting. A pause, a cup, and the noticeboard are enough for alliances, misunderstandings, or an unexpected task to emerge. — Sketch of the 17.5 m² kitchen-dining area. Left: view from the entrance; right: from the coffee machine toward the door. White and vivid blue, with six seats and a clear walkway.

Stories around the coffee machine

Proposed situations for future encounters in this area.

Microwave time slots
A flawless schedule for heating lunch coexists with work priorities nobody has agreed on.
The last clean mug
Three people arrive convinced that their reason for needing coffee is the most urgent.
A rumour arrives before the notice
The noticeboard announces a practical change, but each department comes away with a different story.
A break that turns into a meeting
Someone asks, “How's everything going?” and leaves with a responsibility they didn't have when they arrived.

Objects tell stories too

Einstein watches from the office; O.R.B.I. keeps Nico company; Dionisia welcomes visitors alongside Lucía. Each visual counterpoint has an identity, a place, and a gesture that underlines a story. The collection also includes proposals for the other rooms and homes.

A recognizable office
White, vivid blue, and objects specific to each workstation. The layout preserves the reception area, doors, and recurring locations.
Meet the visual counterpoints
The collection covers their personalities, the situations they underline, and their placement in different spaces.